Driven by a continuous process of deconstruction, my work translates my view of the world into geometric forms. Drawing from my background in architecture and industrial fabrication, my practice operates on the idea that perspective is never absolute, and we can never see the full picture of any given structure. Moving between my upbringing in Germany and my Mexican-American heritage, I explore the friction of split identities and hidden narratives. In my compositions, I use dense black foundations as a canvas for the unknown — shifting between a heavy fascination with shadows, expanding horizons, and the spaces left in the dark. By anchoring my colors against the void, my paintings and structural sculptures become a dialogue about ambivalence. For me, this is a deliberate act of deconstruction and reconstruction: an invitation to look at what is concealed. Out of the shadow, structure can always be found.